Digital Directions 2025

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Annotated Horizons
Annotated Horizons
Elise Racine
$340.00


Dimensions: 32 x 56
Media: Digital art and photography (fine art prints on premium archival paper). Note for dimensions: Mountain Sunrise is 32x24" and Moon Over Fields is 24x32".
Artist Statement : Annotated Horizons overlays artist-generated AI annotations onto everyday scenes, transforming the mundane into sites of exploration and reflection. This diptych, Moon Over Fields and Mountain Sunrise, reimagines rural and suburban landscapes through the lens of artificial intelligence. Labels, confidence scores, and bounding boxes highlight not only what the algorithm “sees” but also its inherent biases, limitations, and occasional absurdities. The juxtaposition of serene natural settings with often sterile, yet occasionally whimsical, algorithmic overlays invites viewers to reflect on how algorithms mediate our understanding of the world. By doing so, it explores the tension between human perception and machine logic—what is revealed, what is misunderstood, and what is lost in translation? Algorithmic Encounters is both a critique and a celebration of the algorithmic age, prompting us to consider how these systems shape the narratives we construct about reality.
My Digital Self
My Digital Self
Elise Racine
$390.00


Dimensions: 16 x 40.5
Media: Digital collage / art (fine art print on premium archival paper). Note on dimensions: Gulping Bytes is 16x16" and A Smile's Resolution is 24.5x15".
Artist Statement : This diptych, A Smile’s Resolution and Gulping Bytes, examines how human intimacy is reframed in the digital age. Part of the Game of Pixels series, the works explore the tension between recognition and alienation as organic emotion is fragmented into data. A Smile’s Resolution deconstructs a familiar expression, dissolving it into spectral RGB points and crystalline patterns. The work reveals what is gained and lost as human forms are abstracted into their digital essence. Gulping Bytes highlights the act of absentmindedly shedding data, transforming the human face into a fragmented site of interaction between code and identity. By juxtaposing halftone imagery with abstracted pixels and overlaying these with the haiku, it considers how technology mediates and distorts intimacy. Together, the diptych offers a layered meditation on how we unintentionally surrender pieces of ourselves to systems that reinterpret and reshape what it means to connect.
Drawing a Breath
Drawing a Breath
Wen Redmond
$2,275.00


Dimensions: 22 x 24 x 0.4
Media: Digital Fiber Mixed Media- Original photograph, inkjet printed by artist, on digital ready flashing and duct tape collage, interfacing, digital silk organza and brads
Artist Statement : Statement#1 An exploration to create a photograph with alternative substrates. Recycled or unusual materials give unique and ever more interesting results than simple paper or fabric alone. Statement#2 I dwell in the silence before I work. I listen. I look. I beckon the muse. This only happens when I’m alone. I am most receptive then. Just waiting. The door opens. I walked through.
Soul
Soul
Amira
$150.00


Dimensions: 12 x 18
Media: Procreate digital drawing.
11 11 24
11 11 24
David Richards
$300.00


Dimensions: 11 x 11 x 1
Media: digital design on archival Epson
Artist Statement : My current work reflects my interest in the atomic and subatomic world of waves and particles. These designs imagine a reality, a dimension, that may be tangible and yet unseen.
"The Wind Beneath"
"The Wind Beneath"
Jack Rosenberg
$475.00


Dimensions: 13.25 x 20
Media: Archival Ink Print
Rip Her to Shreds
Rip Her to Shreds
Lissa Rosenthal-Yoffe
$2,000.00


Dimensions: 36 x 36 x 2
Media: Ai generated images and hex-based pattern on paper, acrylic sheets, stainless steel fasteners.
Artist Statement : This AI-generated self-portrait transforms Blondie’s Rip Her to Shreds into a rhythmic visual experience. The portrait tiles are arranged in a hexagonal pattern, echoing the hex six-beat structure of the song’s rhythm. Each square variation reflects the song’s energy, with bold red lips, an exaggerated “atomic nose,” and comic-inspired contrasts reminiscent of Brenda Starr. The repetition and fragmentation of the self-portrait across the hexagonal grid parallel Blondie’s lyrical critique of identity as a curated, consumable persona. The background creates stark contrast, while the vibrant tones reflect the gritty punk ethos of 1970s New York City. By aligning the hex-based generated pattern with the song’s tempo, the piece embodies biting satire and rebellious rhythm. Dumbing down tech, this Ai-generated self-portrait merges sound pattern, image, and individuality, turning Blondie’s and my personal cultural critique into an exploration of identity, scrutiny, and performance.
Socializing
Socializing
Simone Schiffmacher
$500.00


Dimensions: 17 x 24 x 1
Media: Acrylic on Canvas with Augmented Reality 3D Model
Artist Statement : With advancements of technology, digital applications have become an integrative part of our lives, providing overstimulation and newfound fantasies. These applications drive our desires for a better life displaying its easily attainability through online persona. Creating unobtainable dreams and false hopes which alter our physical experience within this world. Digital Manipulation aims to display the tension between our digital lives with our physical lives through the integration of Augmented Reality with physical artworks. Focused on the ways technology affects our physical experience through simplified paintings, hidden objects, and stagnant photographs. To fully experience the Augmented Reality component of this show download Kaleido.
Carravagio Redux
Carravagio Redux
Denis Sivack
$800.00


Dimensions: 16 x 20 x 1
Media: Photography
Artist Statement : I began making diptychs in response to a specific call for diptychs. Since combining images for that call, I have continued making diptychs. Sometimes the combined images have come from the same place (ex the root, pond and transit photos); sometimes not at all. While my primary interest is visual, as I respond to what calls to me, in constructing these diptychs, I am working with previously created images to give birth to a third. In the case of three of the six diptychs here, there are personal connections. I am the model in the Caravaggio picture, being the subject in a digital cinematography workshop where we worked to replicate lighting. The M and W in the wall photo are my great aunt and uncle from a photo made in the era of the mosaic image which is part of commissioned MTA art. The man at the right of the apparition is named Francis, seen here at the memorial river paddle of an athlete colleague who died young. He has also passed on and the image of St. Francis is from a
Clifford
Clifford
James Slezak
$400.00


Dimensions: 20 x 16 x 1
Media: digital photo
Artist Statement : I had recently taken a night sky photo in hopes of capturing the comet. But this shot did not get the comet. Around the same time I took a photo of large hunk of driftwood on display in our living room. The morning sunlight gave me an interesting image. I put these two together and got an image that I think is much more interesting than the individual parts.
The Edge Of Something
The Edge Of Something
Nick Smith
$512.00


Dimensions: 16 x 24 x 1
Media: Digital art printed on UV protected acrylic
Artist Statement : This piece is an amalgamation of fireworks in the summer sky, light falling on the trees, the smell of sulfur and smoke, and a faraway but familiar sense of hope at the edge of something bigger
Escape
Escape
Katie Tasch
$150.00


Dimensions: 20 x 20
Media: Digital Collage
Artist Statement : Photography is no longer just a medium; it is a mirror, a tool, and a space for experimentation. My practice in digital collage and mixed photographic media is my way of grappling with these evolving dynamics, striving to understand the role of images in shaping our shared human experience. By interrogating the future of image-making and our connections with those images, my work seeks to illuminate the possibilities and complexities of a visual world that is still unfolding.
SHE THE QUEEN
SHE THE QUEEN
Barg
$495.00


Dimensions: 23 x 23 x 0.25
Media: Glass print
Artist Statement : SHE THE QUEEN A moment of creation, a testament to feminine strength. Lost in her craft, she embodies both tranquility and power. This is a visual love letter for my wife. ARTIST’S STATEMENT My artistic journey is a continuous exploration of the naked line, bold color, and novel texture. I derive immense satisfaction from the creative process, from the initial spark of inspiration to the final piece. My work is a reflection of my own joy and passion for creating, and I aspire to share the same sense of wonder and playfulness with others. My art delves into the transitional space between figuration and abstraction. By juxtaposing realistic elements with distorted forms, I construct visual narratives that encourage viewers to actively participate in the storytelling process.
Flowing
Flowing
Barg
$495.00


Dimensions: 23 x 23 x 0.25
Media: Glass print
Artist Statement : FLOWING A solitary figure, adrift in a creative flow with sea of emotion. The lines, once vibrant, now seem to weep, carrying the weight of love lost, unspoken longing and melancholic memories. ARTIST’S STATEMENT My artistic journey is a continuous exploration of the naked line, bold color, and novel texture. I derive immense satisfaction from the creative process, from the initial spark of inspiration to the final piece. My work is a reflection of my own joy and passion for creating, and I aspire to share the same sense of wonder and playfulness with others. My art delves into the transitional space between figuration and abstraction. By juxtaposing realistic elements with distorted forms, I construct visual narratives that encourage viewers to actively participate in the storytelling process.
Patter
Patter
NLWalsh
$399.00


Dimensions: 24 x 24 x 1
Media: Mixed media: photography, digital art, photo collage, drawing
Artist Statement : Patter is an image that represents the many sensory and everyday distractions of life, especially the "fast forward" visuals of the modern world. There is great beauty to be appreciated, but there is much to miss when images, thoughts, responsibilities and time are whizzing by. No one has the time or bandwidth to really see everything that comes into our field of vision or consider every distraction that's thrown our way. This piece invites the viewer to think about how to decide what we spend time considering, savoring, and reflecting on, and just as importantly, how to make that a mindful decision. My genre is mixed media photography-based digital art. I start with my digital photos, and use digital technology to modify them. Sometimes what I photograph represents just the seed of an idea, or the broad outlines of a composition I wish to complete, so the final image may not end up resembling the original photo. Limited edition print (of 25) in archival inks on archival paper.
pages past399
pages past399
Richard Weiblinger
$500.00


Dimensions: 27 x 35
Media: archival digital print
liquid art 7858
liquid art 7858
Richard Weiblinger
$500.00


Dimensions: 27 x 35
Media: archival digital print

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